Do You Believe in Angels?

I never set out to write about angels. I didn’t sit down one day and think to myself, “Angels, now there’s a good basis for a book.” In fact, it was the furthest thing from my mind – before I had the dream. Back then, I had visions of Regency heroes and quirky modern heroines, but angels? Not so much.

Until the dream.

Of course I didn’t realize at the time that I was writing about angels. They weren’t very forthcoming in the beginning. I actually thought that I was writing about a woman who was at a crossroad in her life where the ultimate choice she made could literally have life or death consequences. I know what you’re thinking. All this from a dream? Well, no, not exactly. The dream itself centered around a woman at a nightclub dancing the night away with a sinfully attractive man. Simple enough but for the fact that, when she turned away from him, his eyes began to glow red, giving him a devilish look. Still rather unremarkable, right? Until the woman showed up in my next dream. Only this time, she was dressed in a rather proper manner and moving into a garage apartment, preparing to take care of the twins of a widower.

That’s how Nora’s Soul came to fruition. Two dreams, interconnected, that wouldn’t leave me alone. They were all I thought about. Who was this woman and why was she out dancing with a devil one night and preparing to care for children the next? The questions fueled my imagination, demanding answers. The first answer came in the identity of the woman, Nora, who began to give me clues to her background. The angels came in later. You see, in the beginning, I thought I was dealing with a clear-cut depiction of good versus evil, devil versus angel, but as the story progressed, I realized that not everything is so black and white. There are beautiful shades of gray.

Dante is a shade of gray. When he first came to me in my dream, Dante portrayed himself as something of a devil. So that’s how I described him. He was a devil, his only purpose was to steal Nora’s Soul, and that was the end of the story. Or so I thought. But Dante had other ideas. Just when I thought I was done with him, he wouldn’t let me go. He kept invading my dreams, telling a different story. I soon learned that Dante was an angel who, not unlike Nora, was led down the wrong path by his desires. And Dante also finds himself having to make some decisions that could have severe ramifications not only for himself but also for others connected to him.

At its core, Nora’s Soul is about a woman’s crisis of faith – in herself as well as the heavenly beings who are trying to set her on the right path. But it’s also about what happens when one of those heavenly beings has been led astray, his own faith – in himself, in his kind – tested. Even Dante will have to answer the question: Do you believe in angels?

Getting Into Character

I have a confession to make. I hear voices in my head. Now, under normal circumstances, this confession would make one question their sanity and perhaps lead to years of intensive therapy. But I left out an important part of the confession: I am a writer. The voices I hear in my head are those of the characters that live there, in the land of my imagination, toying with my gray matter until I finally tease them out and onto the page. And there is the secret, at least for me, of characterization. I have to be able to hear the voices before I can get a fix on the characters.

As anyone who takes a pen to paper will tell you, characterization is an integral part of the story. You can have a mediocre plot, a tried and true plot, and yet still make it come alive with fascinating characters. Likewise, boring characters can sink a good plot. Just ask any reader what kept them enthralled in a book and more often than not they will give you a detailed description of…the characters. What do you remember most about Romeo and Juliet? The intricacies of the plot – or how passionate the lovers were for each other? What about the movie Titanic? What remains fixed in your mind, the fact that the ship sank after striking an iceberg or the ill-fated love affair between Jack and Rose?

Characters define a story; they are the backbone of the plot. Everything that happens within the story depends upon the type of characters that populate it. So the writer owes it to the reader to give him or her characters they will not forget. Characters that will live within them long after the last page is read and the book is closed. Characters that make them want to revisit that book again and again. How? For me, it is the simple matter of feeling that way about the characters myself. After all, if I can’t feel passionate about my characters, how can I expect my readers to? And so I listen to my characters.

For me, listening to the way they speak, the words they use, is an integral part of characterization. That is how I “get into” character. I playact in my mind. Visualize the character in a scene and play with her emotions. It helps to imagine a certain actress playing the character in a movie, to run the scene in my head like it’s a filmstrip. How does she sound? How does she stand? What does she look like when she’s angry? These are all key ingredients to characterization. You have to think of them as real people, full-bodied and well-developed. When you start wondering how your character would feel about a certain situation or how she would handle a certain crisis, then you have done your job. If you can write a line of dialogue and on a second pass realize that your character would never say that, or at least not in that way, then you’re totally in synch with your character and are one step closer to remaining true to them.

At this point, you might be thinking that’s all well and good, but how do you get so in tune with your characters? Another good tool that I use, in addition to the filmstripping, is the character interview. This is a fun and cool exercise for the writer because we never know just what our characters are going to say until we ask the questions. As evidenced in an interview of one of my characters – Dante, from Nora’s Soul – when he was interviewed by Pat Bertram http://patbertram.wordpress.com/2008/10/10/pat-bertram-introduces-dante-the-hero-of-noras-soul-written-by-margay-leah-justice/. Suffice it to say that Dante’s true nature leapt right off the page from the moment of his introduction – and he didn’t let up once. Not only did this make for an interesting interview, it made the character more memorable.

Why not try it for yourself? You just never know what you might learn when you open up your mind to the voices in your head.

Margay